Mangleverb - Audio Damage

As the name suggests a hybrid variation mix of Reverb, filters and enveolopes. If it's by 'Audio Damage' then obviously its gonna be great! It is!


What happens when you combine a thick reverb, a filter, an envelope follower, an LFO, and a VCA? We wanted to know. The results are surprisingly useful. Mangleverb can be used as a filter, reverb, transient shaper, rhythmic gate, LPF gate, tempo-synced VCA, and any combination thereof. It is, for all intents and purposes, a Swiss Army Knife, for both wild sonic destruction and more utilitarian production work.

Want to make a cool smooth-shaped verby kick? No problem. A 16th-note stutter gate? Gotcha. A plain ol-fashioned funky duck envelope follower? We can do that. A huge 80s "Pour Some Sugar on Me" gated snare 'verb? Although we're not sure why you'd want to do that, with Mangleverb it is alarmingly easy.

Mangleverb has an updated version of the reverb algorithm from our long-deceased Deverb plug-in, along with our most popular analog filter model, an incredibly sophisticated LFO and envelope follower, sidechain input, a full I/O section, and just in case you want to replace your tweeters, a feedback knob. In short, the question isn't "what does it do?" but rather "what doesn't it do?"

Mangleverb is available as both 32- and 64-bit VSTs for Windows, and as a Universal Binary AU/VST for OSX.

Quatromod - Audiodamage

Another excellent deceptively simplistic plugin utilizing 4 oft used effects which once again are really effective and top notch!


Take our classic Liquid through-zero flanger, Fluid multi-mod chorus, Vapor diffusion chorus, and FreqShift frequency shifter (from our Eurorack hardware line) and put them all in one plug-in, and you have a true powerhouse of stereo-insert modulation.

FLANGER: The through-zero flanger mode is our Liquid plugin in all its glory, with Haas Effect "Offset" control and invertible feedback for extra widening.

CHORUS: The chorus mode, based on our original chorus product, Fluid, later extended in to the Dimensions module for Eurorack, has six delay lines modded at different rates for one of the thickest stereo choruses available. The DIM-D mode does what you'd expect, changing the topology to match that venerated box, but with all the control of a modern chorus.

DIFFUSOR: Our Vapor plugin, recreated here as the Diffusor mode, is essentially the diffusion block from a reverb, rewired to act as a chorus. The secret snare weapon of many a producer, this mode is an unique effect that will reward experimentation.

FREQSHIFT: One of our most popular Eurorack-format hardware modules, here thoroughly reworked for the DAW context. Once you use this mode in a slight upwards shift on pads, and you'll never use anything else.

Available for nearly all modern plugin formats, QuatroMod is a convenient one-stop shop for all your modulation needs. With a vector-based resizable user interface, Retina- and 4K-capable scaling, and a platform-agnostic preset mechanism, QuatroMod will quickly become your go-to mod plugin.

 

EOS2 - Audiodamage

One of the best, if not THE best reverb plugins out there.Not surprising as this comes from the makers of Valhalla which are also some of the finest reverbs to be had. This one though, unlike some of the those, has a much more simpler interface and just a sprinkling of presets which is just fine to get you tweaking more, and everything comes across as just plain  easier to use in my opinion. The overall sound is just spot on , EOS  reaks quality. The infinity mode is cool by the way! A MUST have!!

Eos 2 is a massive update our Eos algorithmic reverb. With an all-new entirely procedural GUI (featuring full Retina and Windows HiRes compatibility), a new cross-platform preset mechanism, a new reverb algorithm, the addition of crossover controls, the addition of VST3 versions, and a ground-up rebuild for future-proofing, Eos 2 is a worthy successor to our all-time best-selling plugin.

Eos consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple.

Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is not possible with convolution 'verbs