Arturia have had quite a pedigree of really great synths over the years , and 'Pigments' is certainly an evolution of their fine architecture , painting a canvas of hybrid wavetable/ analog sounds. 'Pigments' is beautiful designed and really shines when it comes to the modulation , which are quite easily assigned once you know how , and are wonderfully displayed with the moving graphics. Sounds are excellent too which certainly leans more toward sound design and creation of unique textures.
Taking that spark of imagination and transforming it into sound is the most fundamental, exhilarating part of creating music. Pigments makes that process natural, intuitive, and colorful.
Your sound, in living color
Imagine a sound, then create it.
Pigments gives you the finest elements ever found in a software instrument, letting you create pioneering, exciting, and deeply personal sounds. Laying everything out before you, Pigments lets you fully express your creativity in a way that’s never been seen before in a software instrument.
Pigments features a twin audio engine, letting you mix virtual analog and wavetable oscillators to create the perfect starting point for your patch. You can even morph wavetables, or import your own.
What you do next is up to you. Experiment with 3 envelopes, 3 LFOs, and 3 function generators. Assign modulators to animate your sound, and breathe life into it. Add controlled, or totally wild random changes to any parameter with a Turing probability generator. Run it through 2 filters, with any combination of iconic analog filters or modern formant and surgeon filters you want. Process your patch with exciting contemporary effects like wavefolder and multifilter, or vintage studio reverbs, delays, and EQs.
Main Features
Two engines in parallel
Virtual Analog triple osc engine
Complex Wavetable engine
Two filters
Classic filter types from V Collection instruments
Modern filter types
Continuous series/parallel routing
Powerful effects section
Insert or Send routing
Modulable parameters
Advanced modulation system
Graphical editing, source-based or destination-based.
Envelopes, LFOs, Function generators, Random src, ...
Visual interface
Graphical representation of the most important modules
Polyrhythmic Sequencer and Arpeggiator
Create complex, custom and evolving sequences/arps
Extensive factory preset library
Really excellent mini moog emulator which ranks among the best such as Monark. Perfect for basslines and there's also some great string/lead sounds too!
Developed in cooperation with vintage synth specialist Bigtone Studios, The Legend is designed to faithfully emulate one of the most famous vintage analog synths. Moreover, numerous innovative enhancements greatly increase its versatility.
Uprecedented precision
Every component, ranging from the voltage-controlled oscillators (VCOs), voltage-controlled filter (VCF) and voltage-controlled amplifier (VCA), have been modeled to an accuracy never seen before in software. The snappy filter and amplifier envelopes have been meticulously modeled, as well as the massive bottom end - even the most marginal effects like temperature drift or effects originating from the power supply have been taken into account.
The most significant additions are the Unison and Polyphonic modes, allowing for thick stereo sounds, as well as enabling polyphonic play. Built around a vectorized core, The Legend is capable of synthesizing four voices for the cost of little more than a single voice, making it a highly efficient analog-modeling synthesizer plug-in.
The back panel of The Legend allows to switch between two revisions modeled, Early and Late. Moreover, extra options allow to fine-tune the analog simulation and account for part tolerances typically found in hardware. The key parameter ranges can be adjusted as well as tuning, drift or saturation.
Another bonus feature of The Legend is its on-board effects, comprising a high-quality delay and reverb unit. Both effects are tailored to the synthesizer, and offer just the right sound with only a few parameters each.
The Legend comes with 480 patches crafted by leading sound designers and sorted into categories like Bass, Lead, SFX, etc.
The Legend features summary
- Accurate circuit simulation
- Two Revisions modeled, Early and Late
- 8x Oversampled engine
- Vectorized core with Unison, Mono and four-voice Polyphony modes
- 480 patches included
- Available as VST, Audio Unit and Rack Extension
Captures the classic warm analogue sounds of yesteryear brilliantly. Interesting arpeggio/sequencer section with the step edit record feature. Fantastic bass sequential sounds.
Repro-1 dives into the past for analogue inspiration, reverently modelling a classic synth. Every detail of the original was captured using component-level modelling technology to create the most authentic model possible. All the subtle characteristics and quirks found in the original are present in Repro-1.
Repro-1 is a fierce synth: hard working, raw sounding and immensely playable.
Key Features
authentic raw analogue soundComponent-level modelling of a classic monophonic synth2 oscillators: saw/pulse and saw/triangle/pulse, including combinations and pulse width modulation.White noise generatorMixer for the audio generators with feedback path for extra bass boostFilter: 4-pole lowpass, capable of self-oscillation. Cutoff, Resonance, dedicated envelope and key tracking controlsAmplifier: ADSR envelope with curve trimmerModulation true to the original, plus an extra 2-slot matrixLFO: saw/triangle/pulse, including combinationsExtra modulation sources: AR/ASR envelope adopted from the wavefolder effect, plus Trigger and GateArpeggiator: up or up/down, latch modeSequencer: Two-patterns, step recording: Editable pitch/velocity, note/tie/pause status per step, max. 32-notes each pattern (or 64 notes when chained). Copy/paste and rotate functions, save/load presets5 built-in effects: wavefolder/distortion, delay/chorus, EQ/resonator, reverb, sonic conditioner/dynamics processor500 factory presets
One of the most underated VST's. Great sound quality, layout and routing capabilities.The arpeggio section is one of the best, which has dual voices, lots of different modes and also midi import. Another of my regular go to synths. The next generation in synthesis:
Hybrid
3 is the next generation in synthesis. This high-definition virtual
synthesizer combines the coveted warmth of analog synths with a full
range of futuristic digital manipulation capabilities. The result is the
best of both worlds — a virtual instrument with a comprehensive
set of precisely adjustable parameters that can sound like a synth you remember or something no one has ever heard before.
1200+ built-in sounds:
Hybrid
3 comes with over 1,200 inspirational presets designed to jumpstart the
creative process. Over 200 new patches, designed by the acclaimed AIR
sound designers, include everything from wobbles, synth pads, arpeggios,
poly synths, basses, leads, sequences, and much more. Hybrid veterans
will be pleased to find that the familiar Hybrid 2 presets have been
completely reworked, allowing users to experience their favorite sounds
with all the sonic improvements of Hybrid 3.
If you're prone to
tweaking, Hybrid 3 is loaded with a comprehensive set of user-adjustable
parameters that let you create unique sounds and fine-tune them to
taste. With support for two simultaneous parts (i.e. a powerful
combination of two separate, 3-oscillator synthesizers),
you can
layer, split, or spread sounds to produce deep, complex, and wide
patches. Plus, the simple patch browser makes it easy to find the preset
you're looking for and allows you to load two presets simultaneously,
one into each part, for experimenting with rich timbres and playing
multi-patch sounds.
High-definition oscillators:
With
three versatile oscillators and a sub oscillator per part, Hybrid 3 is
capable of stacking multiple oscillators together for huge pads, leads,
basses, and more. Two multifunctional oscillators can recreate the
classic subtractive synthesis waveforms for a dose of analog
nostalgia.
In addition, these oscillators feature algorithms for digital
wavetables. As a result, users can choose from nine different modes,
including the Multi-Square waveform, Saw Sync, Saw Cross Modulation
(which modulates the pitch of a saw wave with the output of a triangle
wave
for complex tones), Saw Multi (a stack of seven saws in unison), Square
Sync, Square Cross Modulation, Square Pulse Width Modulation (PWM) and
Wavetable. Hybrid 3 offers 100 wavetables with up to 64 single-cycle
waveforms each. A third oscillator includes saw, square or triangle
waves, plus a noise generator and a sub oscillator for deep bass
effects.
Dual filtering and saturation modes:
Hybrid
3 features two multi-mode filters that can run in series or in
parallel. In addition, the filters can be assigned one per channel to
the stereo outputs, or set so that Oscillator 1 feeds Filter 1, with the
remaining Oscillators being routed to Filter 2. Both of the filters
offer your choice of DCF (Digitally Controlled Filter) or VCF models.
The vintage Voltage Controlled Filter (VCF) makes it easier than ever to
achieve those fat, retro synth sounds of the '70s and '80s. This sound
filter brings the legendary soft and fat warmth of classic analog synth
hardware filters to Hybrid 3.
Use the revolutionary multimode
filters to control the tone color of a part by removing or accenting
certain frequencies. Choose from an extensive collection of 23 modes.
Then dial in the filter cut-off, velocity, and key tracking. Use the
resonance dial to change the tone
from a nasal sound to a ringing
tone by emphasizing frequencies around the cut-off and generating
self-oscillation. A blend of the third oscillator and noise generator
can serve as an audio modulation source for filter cut-off, producing
distinctive electronic audio effects.
To add some serious edge,
adjust the filter saturation. Hybrid 3 offers the original Overdrive
filter, which creates a soft tube-like clipping and includes five
additional filter saturation modes: Distort, which creates a harder,
brighter clipping; Hard Clip, which creates a very hard and bright
transistor-like clipping; Rectify, which creates a gentle distortion
that retains the character of the input signal; Bit Crush, which creates
deliberate aliasing by reducing the bit depth, and Resample, which
creates deliberate aliasing by reducing the sample rate.
LFOs:
Hybrid
3 includes four LFOs per part: two monophonic, one polyphonic, and one
special Pump LFO. Use the LFOs to modulate pitch, loudness or cut-off to
produce vibrato, tremolo, or electronic sweeps. Choose from eight
modulation types, ranging from sine and triangle waves to random,
"drift" and sample-and-hold modulation. Change the depth, rate, phase,
and sync mode to quickly and dramatically alter the sound.
Pump
is a special type of envelope that simulates studio side-chaining to
create the pumping-and-breathing effect. In the case of Hybrid 3, this
rhythmic effect can be applied to much more than the overall mix. The
Pump LFO can be routed to create a rhythmic effect on a variety of
specific parameters, such as pitch or filter settings.
Envelope editors:
Use
the four envelope editors to easily sculpt the filter, amplitude, and
any two other modulation envelopes. Adjust velocity, attack, decay, and
key tracking, and then type in the envelope rate.
Hype algorithm:
New
to Hybrid 3 is Hype, a quick way of enhancing the low- or high- end of
any patch. Beef up wobbles, basses, and kick drum sounds with deep,
sub-bass by adjusting the Hype Low parameter, or turn up Hype High to
polish off the high end with shimmer and sparkle; the latter sounds
great on pads, strings, brass, and percussive sounds.
Doubling:
Hybrid
3 offers a new way of making your patches sound enormous. Two Doubling
knobs, one for each part, are built into the Common tab for additional
widening and thickening. Turn up the Doubling knobs to full for a
dramatic response or mix it in subtly for a slight thickening effect.
Performance-oriented features:
Whether
you use it in the studio or in a live situation, Hybrid 3 is built to
perform. Use the step sequencers for arpeggiation or phrase generation.
Set the modulation matrix to easily map modulations from sources to
destinations. And set up "morph" groups to modify sounds on
the fly from the interface or a MIDI controller.
Step sequencers:
Hybrid
3's onboard 16-step sequencers have been revamped for more programming
and sequencing flexibility. Now, steps can be linked together to vary
sequencer rhythm, manipulate note dynamics, and create advanced
modulation patterns. Like before, both step sequencers can function as a
composition tool or an extra modulation source, making it easy to
create patches that move and evolve. You can set note values, velocity,
and modulation, and then pick from nine playback options to use the
sequencer as a step sequence, arpeggiator or MIDI phrase generator.
Plus, you can even import your own MIDI phrases for complete
customization.
Modulation matrices:
Hybrid
3 also offers flexible and easy-to-use modulation matrices with 16
assignable modulation sources and more than 20 destinations each. Assign
modulations to an oscillator or filter. Hybrid 3 allows multiple
assignments of sources and destinations, all with adjustable
intensities.
Morph groups:
With
Hybrid 3, you can assign any rotary control or fader on the plugin's
interface to one of the four "morph" groups. Assign pan, filter or
amplifier envelopes to a morph group to alter sounds from your
controller while recording or playing live. Each morph group can control
several
parameters simultaneously. You, in turn, can control morph groups from
the dials on the interface or from a MIDI controller.
Effects:
Hybrid
3 provides two insert effect sends per part, each with more than 40
effect types, so you can quickly change the sound of a part. A separate
master effects section lets you select reverb, delay, and chorus effects
to enhance — or warp — any of the sounds at the patch level. Easily
adjust effect parameters and sync effects to a chosen tempo.
Seamless DAW integration:
Hybrid
3 is available in VST plugin format for both 32-bit and 64-bit Windows
operating systems. With its rich set of analog and digital sounds and a
large array of adjustable parameters, Hybrid 3 gives musicians,
arrangers, composers and sound designers the qualities and character of a
unique hardware synthesizer with the convenience and flexibility of an
integrated plugin.
FEATURES:
- Six-oscillator subtractive and wavetable virtual synthesizer with 1200+ inspiring presets.
- Includes 200+ all-new sounds and 1000+ refreshed patches from Hybrid 2.
-
Comprised of two simultaneous parts, each loaded with 3 oscillators and
a sub-oscillator, filters, LFOs, envelopes and effects for
creating complex patches.
- All-new Doubling controls for quickly thickening and widening patches.
-
Revamped step sequencers allow you to link steps together for rhythmic
variation, syncopation and advanced modulation patterns.
- All-new Oscillator Restart for punchy bass sounds, runs and sequences.
- Dual series or parallel filters with vintage Voltage Controlled Filter modes for retro synth sounds.
- Flexible modulation options with 8 LFOs including Pump for the pumping-and-breathing effect.
- Comprehensive editing parameters for the ultimate in sound tweakability.
- Sample-accurate synthesis for super-fast envelopes and high-definition sound.
- Performance-driven features, including modulation matrices and multiple step sequencers for maximum playability.
- 32-bit and 64-bit VST.
