Showing posts with label vst. Show all posts
Showing posts with label vst. Show all posts

Monday, 21 December 2015

Serum v1.03 - Xfer Records


Amazing modern sounding synth with a plethora of controls for sound design. Probably for the more advanced user.

WHY SERUM?
The dream synthesizer did not seem to exist: a wavetable synthesizer with a truly high-quality sound, visual and creative workflow-oriented interface to make creating and altering sounds fun instead of tedious, and the ability to “go deep” when desired - to create / import / edit / morph wavetables, and manipulate these on playback in real-time.

IMPORT YOUR OWN AUDIO / CREATE CUSTOM WAVETABLES WITH EASE
Serum has a Wavetable editor built right in- you can create your own wavetables in a variety of ways. Import audio directly from audio files - Serum has a variety of methods and options for analyzing audio for breaking it apart into individual waveforms. You can import single-cycle wavetables of course, as well as many at once (with in-built sorting options, or manual re-ordering). Morph between various wavetables using standard linear interpolation (crossfading) or via harmonic/spectral morphing. Draw directly on the waveform, with optional grid-size snapping and a variety of shape tools. Generate or modify waveforms using FFT (additive). Create or process waveforms using formula functions. Processing menu options allow you to do the other tasks you would want, such as apply fades, crossfades, normalize, export, and much more.

ULTRA-CLEAN OSCILLATORS
Playback of wavetables requires digital resampling to play different frequencies. Without considerable care and a whole lot of number crunching, this process will create audible artifacts. Artifacts mean that you are (perhaps unknowingly) crowding your mix with unwanted tones / frequencies. Many popular wavetable synthesizers are astonishingly bad at suppressing artifacts - even on a high-quality setting some create artifacts as high as -36 dB to -60 dB (level difference between fundamental on artifacts) which is well audible, and furthermore often dampening the highest wanted audible frequencies in the process, to try and suppress this unwanted sound. In Serum, the native-mode (default) playback of oscillators operates with an ultra high-precision resampling, yielding an astonishingly inaudible signal-to-noise (for instance, -150 dB on a sawtooth played at 1 Khz at 44100)! This requires a lot of calculations, so Serum’s oscillator playback has been aggressively optimized using SSE2 instructions to allow for this high-quality playback without taxing your CPU any more than the typical (decent quality) soft synth already does. Load up Serum and we think you’ll be able to notice both what you hear (solid high frequencies, extending flat all the way up to the limits of hearing) as well as what you don’t hear (no unwanted mud or aliasing gibberish- just good, clean sound).

MODULATION - WORK THE WAY YOU WANT TO
The modulation system allows for drag and drop connections between mod sources and destinations. Want an LFO controlling a filter cutoff? Simply drag the LFO title to the cutoff knob. This LFO->Filter connection will now appear in the Mod Matrix as well. In other words, you have two views/approaches for creating and modifying your modulations: sometimes a list is nice, other times you just want the job done fast and easy.

REALTIME WAVETABLE MANIPULATION
In addition to moving through the set of wavetables (up to 256 make up a single oscillator), you can manipulate the waveform itself in a separate realtime process referred to as Warp. This allows for FM/AM/RM/Oscillator Sync and many other ways to modify the waveform, including “Remap” modes - a graph editor for drawing your own custom table manipulations.

FILTER TYPES
Serum includes all of the filter types found in LFOTool in addition to some brand-new ones. Flangers, Phasers, and Comb filters all of which can key-track to the musical note you play. Dual filter types let you control or morph between filter types. Get creative with atypical processes for filters such as downsampling, or the unique filter types found nowhere before, such as the dirty-sounding French LPF.

BUILT-IN SUITE OF EFFECTS
An effects rack with 10 effects modules lets you get your sound all the way to the finish line inside Serum. Effects can be re-ordered to any configuration you want. Virtually all effect parameters are also available as modulation destinations. This is especially useful on monophonic synth sounds. For example, apply an LFO to control reverb size or dry/wet, or velocity to control distortion amount. Many of these effects and modes were built just for Serum, so there are many unique effects to choose from, such as Hyper, which simulates (additional) unison amounts, or a dual-waveshaper which allows for a distortion you can morph between two separate wave shapes.

ADVANCED UNISON
Serum will let you stack a single oscillator to use up to 16 voices. Each of the wavetable oscillators have a number of unison advanced parameters. Stack settings allow for note (e.g. octave) layering to get a fuller sound for a single note-press. Set the unison voices to all have their unique waveform at once with the Unison WT Pos setting, or have them all skewed in a different way with the unison Warp control. A variety of unison tuning modes per-oscillator let you get the stack sound blooming or swarming like you want.

SPECS:
Serum comes with over 450 presets, 144 wavetables.
Available as VST, AU, AAX both 32 and 64bit.

System Requirements:
CPU with SSE2 | Windows XP/Vista/7/8, or Mac OS X 10.6 or greater | VST2.4 , AU or AAX compatible host software.




Sunday, 20 December 2015

Omnisphere - Spectrasonics

Formidable collection of patches and soundsources make Omnisphere an awesome synth. Seems to take forever to install but well worth it!

Omnisphere 2 - Time to Make Some Noise!
Omnisphere is the flagship synthesizer of Spectrasonics® - an instrument of extraordinary power and versatility. This award-winning plugin brings many different types of synthesis together into one amazing-sounding instrument that will inspire a lifetime of exploration.

You can now use your own audio file as a soundsource in Omnisphere 2, by simply dragging onto the interface! Go wild with using the new Granular Synthesis, Harmonia, Innerspace and many other creative tools inside Omnisphere!

Vast New Synthesis Possibilities
• Over 400 New DSP Waveforms for the Synth Oscillator
• Wavetable Synthesis - Each Waveform is now a Morphing Wavetable
• Powerful New Granular Synthesis algorithm
• Deeper FM/Ring Mod capabilities for aggressive timbres
• 8 New Filter Types - New Power Filters, Vowel, Resonators
• New Unison Drift models Analog Polysynth behavior
• Expanded Modulation with new sources and many more targets
• Polyphonic LFO and Modulation Envelope options
• Soundsource Reversing

Now includes over 12,000 sounds!
• More than 4,500 brand new patches and soundsources!
• New "Spotlight EDM" library with cutting-edge, modern sounds
• New Exclusive Soundsources from Diego Stocco's Custom Built Instruments
• New category of Phrase-based Soundsources for granular synthesis
• Hundreds of new Circuit Bent Soundsources
• Many Innovative new Psychoacoustic Soundsources
• New Melodic Cave Stalactites Soundsources




Thursday, 17 December 2015

Spire - Reveal Sound


Really nice VST with top features and the GUI looks great.Very well set out in the different sections, oscilators etc. A tad heavy on CPU this, so not really one to layer with, but the sounds are superlative!! The recent updated version is much more user friendly especially with the sorting of preset banks. 

Spire is a software polyphonic synthesizer that combines powerful sound engine modulation and flexible architecture, a graphical interface provides unparalleled usability. Spire is the embodiment of the best opportunities, both software and hardware synthesizers.

ANALOG / DIGITAL Superiority
Spire - the combination of best opportunities of software and hardware synthesizers

VERSATILE OSCILLATORS
4x multimode polymorphing oscillators
Classic, Noise, FM, AMSync, SawPWM

UNIQUE UNISON ENGINE
9x unison voices on each oscillator
Spread unison voices by chords and octaves
Capable of imitate different types of unisons like supersaw, hypersaw

SUPERB SOUNDING FILTERS
2x multimode filters with analogue and digital types of filtering
Perfecto, Infecto, Acido, Scorpio, Combo

HIGH QUALITY BUILT IN FX PROCESSOR
Shaper/Decimator, Phaser/Vowel, Chorus/Flanger, Delay, Reverb

INCREDIBLY FLEXIBLE MODULATION ARCHITECTURE
4x Macroses, 4x Envelopes, 4x LFOs with morphing shapes,
15x Matrix slots each of equipped with 2x sources and 4x targets

2x STEPPERS, ARPEGGIATOR
Surprisingly user friendly and fun to use!

MAKE YOUR SOUNDS FATTER
with X­-Comp (Multiband Compressor) and 3-band EQ


Spire Synthesizer update to v1.1.0 (2015.11.27 04:51)
==========================
+ New optimized DSP engine
+ Scalable GUI with Mac Retina support
+ Performance Panel
+ Added factory 6 sound bank



Monday, 14 December 2015

Flesh v1.0.0 - Native Instruments

Am yet to try this one. Should report back later on my findings. Sounds very interesting indeed!
UPDATE! So much you can do with this that it will transform any sound into something quite different, so that it resembles many sounds melded together. Great for rhythmic stuff .



 FLESH is the latest creation by producer, musician, and inventor Tim Exile – a fun and innovative performance synth that turns anything you feed it into an electronic symphony.

AUGMENTED SONIC REALITY

Flesh out your rhythmic samples into full tracks
Made for hands on performance – in the studio and on the stage
Create inspiring melodies dripping with feel – no music theory needed

A BLAST OF INSPIRATION
FLESH augments your source material with dynamic basslines, riffing melodies, throbbing pads, and more. Switch, bend, and warp your way to twisted breaks and harmonic progressions with incredible hands-on performance power. Prepare for a blast of new inspiration.

MUSICAL MAGIC
Working with FLESH is easy. Load up to 12 samples and FLESH analyzes the transients and spectral profile of the sound. This information is transformed it into curves and triggers which gets sent to four audio engines for re-synthesizing new sonic material. All this happens automatically in the background. The result: Naturally dynamic riffs and grooves dripping with a feel faithful to the source material.

PERFECT PERFORMANCE
FLESH features a streamlined control set that lets you radically change the rhythmic and tonal output of the instrument. Play rich harmonic progressions on the fly. Trigger and switch source samples and sound snapshots in real time, then tweak parameters across all engines at once – all at the drop of your finger.

A clever system of global macro controls allows for consistent and tactile live tweaking. Four main controls – Spectrum, Character, Length, Mod – let you to subtly transform a sample or tear it apart into something completely new. And the clear labels make it easy to predict what you can expect from each knob turn.

DESIGNED FOR KOMPLETE KONTROL KEYBOARDS
FLESH is the first REAKTOR Instrument designed from the ground up to get the most out of the KOMPLETE KONTROL S-Series keyboards. Color-coded control octaves on Light Guide make it easy to see keyswitches – even on a dark stage. FLESH also uses the Light Guide to provide tight visual feedback, highlighting sounds and samples, and sequenced harmonies. Thanks to Native Map, parameters are perfectly pre-mapped to the eight control knobs on the KOMPLETE KONTROL keyboards. Plus, you can save presets – including samples – and recall them in real time.

ABOUT TIM EXILE
Audio maverick, technical genius and boundary-pushing performer, Tim Exile has seen his career move from performing small clubs, to big stages around the world and releasing albums on Planet Mu and Warp. For the last years, Tim has worked closely with Native Instruments to design his own set of ‘audio instruments’ including THE MOUTH and THE FINGER.