Morph - Zynaptiq-

On the surface one might think of Morph as just a crossfader of two sounds, but actually does much more than that, by blending (morphing) those sounds into each other vertically on the XY axis. Some truly unique sounds can  be created here and your only limited really by your selection of loops. This is a one of a kind plug in which will create very individual sounds not heard elsewhere.

MORPH 2 is a real-time plug-in for structural audio morphing, the sonic equivalent of one object slowly changing its shape to become a different object - for example, one face becoming another. Super-charged with a selection of 5 different morphing algorithms, a stunningly clean formant shifter as well as a lush reverb that seems to extend sounds much like some highly revered vintage hardware boxes, MORPH 2 opens up a whole new universe of sounds to explore.

Create seamless morphing transitions, new hybrid sounds that combine aspects of existing ones, physically impossible instruments, the furthest-out creature and robot voices, talkbox-esque effects and other outrageously unique new sounds. Whether you're a sound designer for film or games looking for that signature sound, or a music producer or remix artist wanting to create new content from existing recordings...look no further, MORPH is for you!

Eventide Newfangled Elevate

Very advanced limiter/mastering plug in, which just by using the presets makes an enormous difference  to the sound of ones tracks or full mixes. Definitely one of the best your likely to come across even if the look of it is a bit on the drab side.

Mastering with a Brain

Elevate is the most advanced mastering plug-in ever created. This unique multi-band limiter, human-ear EQ and powerful audio maximizer will increase the loudness of your mix while maintaining or improving its dynamic perception. It uses intelligent, adaptive technology that responds in real time to your music; creating not only the l

Developed by Newfangled Audio, Elevate maintains subtle dynamics and improves the tonal balance of your mix. The adaptive limiter analyzes 26 frequency bands and alters the gain, speed and transients for each band in real time. The result is a transparent, natural sound, no matter how hard you push it.

Elevate utilizes 26 critical filter bands modeled from the human ear. Each of the bands are spaced to give maximum control over how the sound hits your eardrum. Draw curves, solo bands and manipulate the transient attack for each individual band to bring out particular instruments such as kick or snare drums.
Adaptive Technology

Elevate uses artificial intelligence algorithms to make it easy for you to get the best sounds, but you can still get under the hood for as much precise control as you desire. This includes giving you control over the tonal balance and transients inside the final limiting stage. The adaptive algorithms reduce audible artifacts and the additional controls give you maximum flexibility with professional results.

Features

Analyzes and alters the gain, speed and transients of each filter band in real time.
Includes presets by: APS Mastering, Matt Lange, Jeremy Lubsey, Eric Beam, ROCAsound, Chris Tabron and John McCaig.
Automatically adapts the attack, release and look-ahead parameters for each filter band to greatly reduce "pumping" and breathing artifacts and perceived distortion.
Preserves or emphasizes fast transients to avoid squashing your mix.
Manipulates transients across the critical bands to preserve the attacks from kick drums, snares and cymbals, without affecting the entire mix.
Uses linear phase auditory filters — based on the Mel Scale — to manipulate the audio in a way that is natural to your inner ear.
Solo the output of one band (or a number of bands) to hone in on problem frequencies, tweak transients or alter gain.
Use the Auto Output Level feature to compare the limited signal to non-limited signals with the same amount of gain allowing you to easily hear what impact the processing is having on your sound.
Use the Spectral Clipper to overdrive the final output without affecting the tonal balance or allowing the signal to get “tubby.” Perfect for a more aggressive sound.
Six different types of metering allow you to keep an eye on every aspect of your output audio.

ADAPTIVERB - Zynaptiq

Not just your usual reverb, Adaptiverb is capable of some extraordinary ambient type  soundscapes which sound designers will just love! I know i do!

ADAPTIVERB is a revolutionary reflectionless reverberation plugin. Unlike traditional reflection-based acoustic room modeling, ADAPTIVERB adds perceived depth, harmonic richness, and butter-smooth tails without obscuring the source.

Preserving the tonal definition and directness of your mix, it adds size, glue and body – making it perfect for mixing and mastering applications alike.
Powered by ray tracing, source separation, and advances in artificial intelligence, ADAPTIVERB automatically adapts to the input audio like a chameleon, blending with your sounds perfectly, and conforming its reverb tail to the tonality of the input or a user defined set of notes.
While exceptionally fast to use, its advanced synthesis, cross-filtering and reverb pitch processing functionality provides ambient artists, film composers and sound designers with exciting new creative options for making evolving drones, organic pads, lush ambient sound scapes, and more.

PITCHMAP - Zynaptiq

An incredible pitch shifting tool which can be used on just about anything ( from vocals to full songs and loops etc ) and sounds excellent with very little in the way of artifacts .

Has quite a steep learning curve if you want to delve deeper but basicly can be simplified if just using the key transpose functions.

PITCHMAP is the world's first and only plug-in that allows processing the pitch of individual sounds within mixed signals in real-time. It lets you change the melodies and harmonies of any recording by simply playing your own on a MIDI keyboard or creating a pitch map using our stream-lined GUI, and optionally corrects any tuning issues at the same time.

As if that weren't enough, PITCHMAP provides functions to suppress individual sounds within a mix, and can apply advanced synthesizer-like sound transformations to your audio. In short, it is an inspiring musical instrument, a precision corrective tool and the only processor that literally lets you shape music with your hands.

Zebra2 Update - UHE

The mighty Zebra just got better! With a few new modules, a much clearer and larger new GUI ; it is now a vast improvement on the original and looks just excellent!!

Zebra2 is our wireless modular synthesizer, combining a powerful modulation engine with many different types of synthesis: additive, freehand or spline-based waves, oscillator spectral effects, FM oscillators, classic synth and comb filters. The entire signal path is stereo.

Zebra 2.8 beta - changelog (revision 6849)
Please backup your presets before installing.
We unified the preset organization between Mac and Win.
On Mac, there were separate local and user folders for OSC and MSEG module presets and Microtuning files.
The user location won't be used anymore. During installation, any presets from this location will be moved to a 'user' folder in the local location.


New skin "Dark8" for fans of strong "the other way round" contrasts:

ANA - Sonic Academy

Great intuitive synth with lots of powerful features, at the heart of which lies an updated killer polyphonic step arp and chord section!

Our highly anticipated launch is finally here! We have spent many thousands of hours rebuilding and redesigning every nook and cranny of ANA to create a beautifully elegant and powerful synth. One that is super simple to use but with an extensive toolset to allow you to create complex and exciting sounds.

Over 3 YEARS in the making, our baby is finally ready and we can't wait for you all to try it out.

So Fresh & So Clean

We have completely redesigned the interface, with a brand new HD Retina ready GUI with both classic white and a new black skin to choose from.

With all of the new features we have crammed into ANA 2 it was a challenge to present it all on screen without it getting cluttered, we have managed to accomplish this simple and familiar layout that made ANA 1 so famous, whilst also giving you the full flexibility of what ANA 2 has to offer

Mangleverb - Audio Damage

As the name suggests a hybrid variation mix of Reverb, filters and enveolopes. If it's by 'Audio Damage' then obviously its gonna be great! It is!


What happens when you combine a thick reverb, a filter, an envelope follower, an LFO, and a VCA? We wanted to know. The results are surprisingly useful. Mangleverb can be used as a filter, reverb, transient shaper, rhythmic gate, LPF gate, tempo-synced VCA, and any combination thereof. It is, for all intents and purposes, a Swiss Army Knife, for both wild sonic destruction and more utilitarian production work.

Want to make a cool smooth-shaped verby kick? No problem. A 16th-note stutter gate? Gotcha. A plain ol-fashioned funky duck envelope follower? We can do that. A huge 80s "Pour Some Sugar on Me" gated snare 'verb? Although we're not sure why you'd want to do that, with Mangleverb it is alarmingly easy.

Mangleverb has an updated version of the reverb algorithm from our long-deceased Deverb plug-in, along with our most popular analog filter model, an incredibly sophisticated LFO and envelope follower, sidechain input, a full I/O section, and just in case you want to replace your tweeters, a feedback knob. In short, the question isn't "what does it do?" but rather "what doesn't it do?"

Mangleverb is available as both 32- and 64-bit VSTs for Windows, and as a Universal Binary AU/VST for OSX.